<img src="https://cdn.businessday.ng/wp-content/uploads/2026/09/Untitled-design-2026-09-16T092547.906-large.png" alt="Peter Obi" srcset="https://cdn.businessday.ng/wp-content/uploads/2026/09/Untitled-design-2026-09-16T092547.906-medium.png 300w, https://cdn.businessday.ng/wp-content/uploads/2026/09/Untitled-design-2026-09-16T092547.906-284x162.png 284w, https://cdn.businessday.ng/wp-content/uploads/2026/09/Untitled-design-2026-09-16T092547.906-254x145.png 254w, https://cdn.businessday.ng/wp-content/uploads/2026/09/Untitled-design-2026-09-16T092547.906-210x120.png 210w, https://cdn.businessday.ng/wp-content/uploads/2026/09/Untitled-design-2026-09-16T092547.906-100x57.png 100w, https://cdn.businessday.ng/wp-content/uploads/2026/09/Untitled-design-2026-09-16T092547.906-285x163.png 285w, https://cdn.businessday.ng/wp-content/uploads/2026/09/Untitled-design-2026-09-16T092547.906.png 700w" loading="lazy" sizes="(max-width: 700px) 100vw, 700px" class=" pl" /><p>Come, step into the gallery; the canvas waits in sight, A mural thick with menace, painted dark against the light;</p>
<p>read more <a href="https://businessday.ng/opinion/article/why-always-me-the-poetics-of-a-political-mural-in-eight-arrows/">Why always me? The poetics of a political mural in eight arrows</a></p>